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Girl in Black and White: The Story of Mary Mildred Williams and the Abolition Movement
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Review
“Captivating... A powerful salute to the memory of Mary Williams, antebellum America's demure symbol of human freedom. Highly recommended.†- Library Journal (starred review)“Morgan-Owens has located a fascinating story and tells it with verve, adding a new dimension to the much-studied struggle against slavery in America.†- Publishers Weekly“A valuable contribution to abolitionist history.†- Kirkus Reviews“In a tour de force of historical recovery, Girl in Black and White combines a compelling, meticulously researched biography of the slave child abolitionists adored (and exploited) with a fascinating history of photography and visual culture. At the same time, Morgan-Owens’s careful inquiry into the complexities of so-called white slavery provides a disturbing look at the limits of social sympathy that relies on similarity. This beautifully written book challenges sentimental notions of national progress and offers new ways to patch together the true story of America’s racial past.†- Carla Kaplan, author of Miss Anne in Harlem: The White Women of the Black Renaissance“Girl in Black and White tells a mesmerizing story made vivid by the author’s keen eye for detail. This is a riveting story of an individual’s life, an important biography of an era, and a phenomenal contribution to discussions about the meaning of race in America.†- Emily Bernard, author of Black Is the Body and editor of Remember Me to Harlem
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About the Author
Jessie Morgan-Owens is the dean of studies at Bard Early College in New Orleans, Louisiana. A photographer with the team Morgan & Owens, she received her doctorate from New York University and lives in New Orleans with her family.
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Product details
Hardcover: 272 pages
Publisher: W. W. Norton & Company; 1 edition (March 12, 2019)
Language: English
ISBN-10: 0393609243
ISBN-13: 978-0393609240
Product Dimensions:
6.5 x 1.2 x 9.6 inches
Shipping Weight: 1.3 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
1 customer review
Amazon Best Sellers Rank:
#143,696 in Books (See Top 100 in Books)
This book is very similar to two other recently released books, Frederick Douglass: Prophet of Freedom by David W. Blight, and Code Name: Lise: the True Story of the Woman Who Became WWII's Most Highly Decorated Spy by Larry Loftis. All of them are extensively researched and, therefore, do not read as smoothly a novel. However, if read slowly and intentionally, they provide provide fascinating information.In the cases of Frederick Douglass and The Girl in Black in White, it is uncanny that biased people (to put it kindly) from the nineteenth century have their counterparts in the twenty-first century. I was glad to have read the Douglass biography before The Girl in Black and White because it enabled me to better understand the quotes and references to him.Initially, I was drawn to this book because my great-grandfather, another Virginian, passed for white. When I first discovered the Mu, for mulatto, on my family's page in the 1880 census, after my surprise, my second reaction was how much non-consensual sex this represented. Jessie Morgan-Owens does a thorough job of putting faces and names to those kinds of victims (and perpetrators) in the family of Mary Mildred Williams.She also does a good job of revealing the subtle and not-so-subtle attitudes of racism and classism, not just among slave owners including those who exploited their own children, but also among the abolitionists who weren't quite as noble as they appeared. Among Jessie Morgan-Owens' extensive research are references including those two n-words that we no longer use: the ones which rhyme with diggers and happy.I'm sure I'm not alone as a white American who wants to hold my hands over my ears and chant, "La La La," to avoid learning painful details about the immeasurable human rights violations that took place in my own country. However, because the attitudes of so many people have not changed over the centuries (for crying-out-loud), the playing field is still not level, and violations are occurring on a regular and sadly, institutional basis. I admire the decision of Jessie Morgan-Owens to devote 25% of her book's proceeds to "organizations that serve communities of color, and those that work toward liberation in our present moment." I hope she makes a difference through both the information in this book, and her charity.So, I recommend this very well-researched book not only as an interesting story, but as insight into nineteenth century attitudes that are still alive today.
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