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50 Drawings to Murder Magic (The French List)
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Book Description
For the poet, theorist, philosopher, playwright, actor, and director, Antonin Artaud, magic was always a central concept and positive force, capable of healing the rift between words and things, culture and life. But during his nine years of incarceration in mental asylums, magic seemed to lose its illuminating transformative power and to become demonic and persecutory. Artaud entered the realm of spectres and vampires which he believed were sucking the vitality from his mind and body. Artaud later filled twelve little exercise books with an account of his struggles to escape this physical, psychological and artistic hell. The first eleven books are filled with fragments of writing and extraordinary sketches of totemic figures, pierced bodies and enigmatic machines. Two months before his death, he took a twelfth exercise book and wrote a remarkable, incantatory text, 50 Drawings to Murder Magic. It was the last thing he wrote.
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About the Author
Antonin Artaud (1895–1948) was the author of many books, most famously of The Theater and Its Double. Donald Nicholson-Smith is an English-born translator who lives in New York City. É?velyne Grossman is a literary critic, editor, and professor of French literature. She has edited several volumes of Antonin Artaud’s works in French.?
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Product details
Series: The French List
Hardcover: 98 pages
Publisher: Seagull Books (February 1, 2008)
Language: English
ISBN-10: 1905422660
ISBN-13: 978-1905422661
Product Dimensions:
8.8 x 0.7 x 11.2 inches
Shipping Weight: 1.7 pounds
Average Customer Review:
5.0 out of 5 stars
4 customer reviews
Amazon Best Sellers Rank:
#1,883,561 in Books (See Top 100 in Books)
This volume is a moving and challenging compilation of drawings executed (irony intended) between 1946 to 1948 in elementary school exercise books. The selection of drawings was done by Artaud for a publication planned by Loeb Gallery in Paris, and the poet wrote a text (his last) to accompany it. Artaud died before the project could be brought to fruition. The design of this book is wonderful: the cover accurately reproduces the blue of the student notebooks of the time along with its cloyingly sentimental drawing of fields and haystacks, and on the verso tables for addition, subtraction, multiplication, and division. We also see the smudges, tears, stains that will be mirrored on the yellowing, blue-gridded pages within. What strikes us is the utter poverty of the poet forced to use such humble media for his writings and designs. We witness his meat machine--even then secretly sapped and undermined by cancer--as the vision trembles through the muted explosions of chemical-induced electricity to cause the muscles to expand and contract with varying degrees of delicacy. We see the piercing of the page--stabbed 11--perhaps 12 times--in ecstacy, frustration, or as part of a private "gris-gris" ritual--by the poet, who includes nails, thorns, and other emblems of ritualistic transfixions in his cruel drawings. The drawings themselves give us glimpses of the poet's [...], of his thyroid, of lung-like sacks collapsed upon a scream; of bodies dissected and exploded and simplified to maps of layered graphite, and of electrical armature-like processes connected by sinister, exfoliating wires. There is also a heroic landscape of words written, smeared, struck through, that encase the drawings.Now I knowthe objective plastic powerof the breathsays Antonin Artaud, and in our contemplation--our encounter--with this wonderful volume--we know it too.
Remarkable effort replicating Artaud's last work,authentic and unique.The care and quality the publisher put into this beautiful yet painfully sublime book will surely make it a certain collectors item....WONDERFUL!!!!
A document of the extreme experience, reaching out-of-mind, far out of the boundaries of articulate language. Try to imagine your body in a perfect state- with no organs, no pain, no sickness, and try to apprehend what a maddening, blood-freezing adventure He had been undertaking, year after year...
One of the most accurate facsimile publications on this or any other artist....not to be missed by collectors of unique beautiful books and of course essential for enthusiasts of the genius of Artaud.
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