Download PDF Stage Writers Handbook: A Complete Business Guide for Playwrights, Composers, Lyricists and Librettists, by Dana Singer
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Stage Writers Handbook: A Complete Business Guide for Playwrights, Composers, Lyricists and Librettists, by Dana Singer
Download PDF Stage Writers Handbook: A Complete Business Guide for Playwrights, Composers, Lyricists and Librettists, by Dana Singer
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Amazon.com Review
A left-brained book for right-brained people. Or maybe it's the other way around. Subtitled A Complete Business Guide for Playwrights, Composers, Lyricists, and Librettists, the book sets out clearly and straightforwardly what to expect, what your responsibilities are, what your rights are, how much to charge for your services and how to protect yourself as a professional theater writer today. It's all here: copyrights, agents, contracts, script approval, credits, royalties . . . all the stuff that could make you--or break you.
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From the Back Cover
Written in a straightforward manner, with complicated matters clearly explained, Stage Writers Handbook is truly a work no writer for the stage can afford to be without. Here, for the first time, Dana Singer gathers the information and ideas stage writers need to conduct their careers in a businesslike manner, with all the protections the law provides.
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Product details
Paperback: 192 pages
Publisher: Theatre Communications Group; First Edition edition (May 1, 1996)
Language: English
ISBN-10: 1559361166
ISBN-13: 978-1559361163
Product Dimensions:
6 x 0.8 x 9 inches
Shipping Weight: 13.6 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
9 customer reviews
Amazon Best Sellers Rank:
#350,589 in Books (See Top 100 in Books)
This book is a modest length and excellent first stepping stone for anyone looking to begin thinking about contracts, relationships, submissions, and more in the theater industry. Other reviewers commented that this book was lacking in detail about contracts, but the entire book was a succinct broad stroke to the whole industry. Just get a precise book on theater contracts. The empty star is for the he/she/xe/Cthulhu pronoun egalitarianism.
It was exactly what I needed as a writer to get my writings out there. It explains all sorts of details. Extremely valuable.
I am thankful for The Stage Writer's Handbook. It provides me with information to help make me more savvy when It comes to negotiating with business prospects. Even if some of the information contained in this book is a bit dated, it still provides a starting point for me to look further for more current information on a particular matter.
I'd give it 5 stars, but the datedness of it knocks it down one. Great information, but costs for buying rights, etc are really out of date and the use of e-mail and the Internet for correspondence and research are not addressed.
...This is not a book about playwriting, nor is it that much help to a playwright who is trying to get his/her work noticed. Yes, there is a section about marketing and promotion, but the writer here is a lawyer and this book is strongest when it deals directly with the many legal quandries a playwright can get into. I have already consulted it numerous times in regards to copyright issues and what were my rights going into a production. That said, I do find it curious that, while she has a large section dealing with various legal issues between a director and a playwright, she has left out entirely any discussion of problems a playwright may have with Actors Equity. How could, for example, future productions be encumbered if you allow an Equity production to go forward? That question wasn't answered, but many others were and for that I find this book to be invaluable.
I recommend Dana's book often to new writers who want an overview of things like public domain and copyright. Even if someone expects to speak to a lawyer about a specific problem, this book can provide answers to general issues.Bill
Outstanding book, helped me negotiate a favorable contract for my first regional production, prevented me from accepting another offer that was VERY tempting, but according to Dana, just as unacceptable as my instincts told me, and helped me know just what to look for and ask when I secured representation. Incredible help for someone like myself who had absolutely no experience with the "biz" end of things
Dana Singer's "Stage Writer's Handbook" is probably the most helpful overall resource I have purchased as a playwright. "The Dramatists Sourcebook" and Dramatists Guild publications are, of course, indispensable, but Singer's book helped me understand the business and legal side of pursuing a career in playwriting.The book is well-written and very accessible to those less versed in legal jargon. I can't recommend this book enough!!
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